Dewitt Godfrey
On view: October to November 2022
DeWitt Godfrey’s large scale sculptures are carefully conceived structural processes inspired by natural geometries and systems-plant spores, sea shells, honey combs. Godfrey explores and distills nature’s fundamental formulas into simple rules of construction and integrity, to create extraordinary complex structures.
“The individual parts of each sculpture, form a community of similar yet distinct, dependent elements which give shape to an aesthetic, structural and material ecosystem.” DeWitt Godfrey
Godfrey is best known for his large abstract constructions of banded steel installed in public spaces. His work is in several public and private collections, including The Museum of Fine Arts, Houston TX; The Brooklyn Museum; the deCordova Museum and Sculpture Park; and Art OMI. DeWitt Godfrey has received numerous grants and fellowships including The National Endowment for the arts Artists fellowship, The Japan’s foundation for the arts, the New York Foundation for the arts and the Louis Comfort Tiffany Foundation Artists fellowship. He has also served as a senior adviser for the Terre Foundation of American Arts program in Giverny, France.
DeWitt Godfrey lives and works in Hamilton NY, and teaches at Colgate University.
Jason Blue Lake Medicine Eagle Martinez
September 9th to October 9th 2022
“Zypher as Xolotl”, 2020, Mixed Media on Paper
18”x24”
My art process is about visualizing the spirit world. I am interested in how currently and historically humans have interpreted their reality through storytelling, creative communication and mark making. Each piece I make is the continuity of my own storytelling of awakening, neo-mythology and healing.
I was born into an indigenous clan of healers of the Tiwa Nation on Taos Pueblo in New Mexico. Our kiva practice is rooted in balance, dualities, and healing through the power of shadow work. The medicine clown is a mirror of the sacred and profane in order to bring conscious awareness to those in need of counsel. The dualities of comedy and tragedy that exist in my work are rooted in this medicinal work.
My spiritual practice, history, popular culture, and my indigenous heritage have shaped my works. My art conveys a fluidity between the traditional space of my native tradition and that of modern psychology and identity; their coexistence an expression of the way in which stories can both describe, heal, build, and rebuild identity.
“That’s All Folks” is an envisioned landscape of awakening and catharsis in a world of uncertainty. Humanity lives with constant anxiety these days. Barraged by media loaded with fear and psychological degradation. We must rise from this. Out of darkness comes great light. The balance in nature can show us the way. We are all wounded healers. The sacred and profane in all of us creates a balance that can and should not be changed. The only darkness is inside of you. The only monster under your bed or across the sea is you. We are all one. Live, Believe, and Be Love.
“The Origin Of All Things” by Mirza Hamid
July 21st through September 5th 2022
The Ship, 35” x 78”, Red Earth on Canvas, 2021
We are pleased to present works by the mysterious contemporary Iranian artist, the street muralist who goes by the pseudonym Mirza Hamid. He lives and works in Tehran Iran.
Mirza Hamid’s identity is unknown, and often he’s referred to in his home country as “The Banksy of Iran”. Though his work is well known in Iran, this is his first exhibition in the US.
During the past decade, his work has been appearing on the busy streets and back alleys of Tehran, with occasional forays into other cities. To date he has done several hundred murals. The city periodically paints over the murals, and Mirza Hamid paints more.
Hamid uses only an ancient red earth as his medium, the exact same timeless medium used in ancient cave paintings. His work refers to the origin of all things, to art being inherent in all humans. He reminds us that we have always been one, one human race. In the context of the vast and modern city of Tehran, he paints on unique buildings chosen with a keen eye, both historic and modern architecture, and takes us to the seed of our want for art. Mirza Hamid depicts in graceful forms, an extract of all stories ever told.
Red Cow, 31” x 24”, Red Earth on Cut Canvas
“Red earth is the pigment used by the first humans to begin creating paintings, and since then, throughout all the eras of human history, it’s been incorporated in various forms. This same pigment was used on earthenware, water jugs and dishes in the primitive times, which are still found in abundance in Iran. Moving forward through time, it became a symbol for life after death, where the deceased were covered in red earth to help usher them to the next world.
Red earth is not only a pigment, it carries with it all the meaning that it’s absorbed through human history, and it generously gifts this wisdom to whomever uses it, whether it’s on an ancient ceramic; or on a mummified Egyptian Pharaoh; or in the streets of Tehran; or on the ruins of Damascus.
Red earth exists still in it’s original quality and delicacy, much like a wild Poppy flower that still emerges out of the soil’s heart with the same characteristics and delicacy as it did at the origin of time.”
-Mirza Hamid
Photographs by Morvarid Khalilazad, architect and photographer. Khalilzad, through collaboration with the enigmatic Mirza Hamid, has documented Mirza Hamid’s street murals, some of which have already been painted over by the city as is often the destiny of most street art everywhere. Her photographs defy the erasure of history, and give context to Mirza Hamid’s works.
Morvarid Khalilzad, with her own sense of composition and beauty, her deep connection with the city of Tehran, the understanding and love of architecture, gives us an intimate point of view onto how Mirza Hamid’s work weaves into the everyday life of this metropolis.
She lives and works in Tehran, Iran.
The limited editions photographs are signed by both Morvarid Khalilzad and Mirza Hamid.
Full Circle: John Crash Matos
June 7th - July 17th, 2022
Tondo, 24” round, Acrylic and Enamel on Wood, 2022
The New Gallery Hudson is proud to announce Full Circle—a solo showcase of works by legendary graffiti artist John CRASH Matos. On view will be exciting new works exhibited alongside historic early works.
Full Circle is a fun and intimate exhibition from CRASH that includes smaller works in various mediums. Taking advantage of never showing in Hudson before, CRASH is excited to exhibit works that have never been in a gallery before, works from personal collections, and even a rare Crashocaster—a project CRASH did with Fender Guitars of limited and one-of-a-kind art guitars.
10 untitled works, mixed media on Waterford paper, 8” x 10”
Acrylic on Spray Paint Fragments
Tondo, 17” Round, Acrylic and Enamel on wood
The New Gallery Presents: The Rock & Roll Circus
May 5th - June 5th, 2022
A safe space is all we ask for in life, a space free of rules, free of parameters, a space of our own inside the crevices of our minds. This is how we discover the arts, allowing ourselves the freedom to communicate in ways that make the soul sing. The revelation that we make is that we can transform ourselves into anything we want and the ensuing quest for a voice is at the heart of this exhibition.
“The Rock and Roll Circus” is an exhibition circled around the notion that music and the plastic arts are often intertwined and never far from each other. In a song there’s a story, that story becomes a visual reference for us in a quest for the pure and the sublime. All artists in this show have an interdisciplinary approach to life, they all stand against the fossilized notion that an artist is only a great artist in one discipline.
We propose, thru this show, that an instrument designed to make music is akin to words for a poem, a camera, a paintbrush, a sculpture, or the witnessing of a frenzy of cultural expression captured by the intelligent mind of the artist.
With this exhibition, we’ve endeavored to create a glimpse into the visual vocabulary of a way of life.
We live to Rock and we Rock to live.
James Seffens: The Texture of Memories
March 24th - May 1st, 2022
James Seffen’s creations, meticulous; fanciful; imaginative and layered, create a world of their own. Seffens evokes the feeling of “being there”, he takes us to a timeless era, to an uncharted place, and draws us to search our own memory for traces of reminiscence.
His multidisciplinary body of work, includes paintings on board, papier mâché sculptures, and box assemblages. He lives and works in NYC, where he continues to create since he began his career in the 1970’s.
“The paintings are created in stages, over an extended period of time. Several thin layers of paint are built-up and later reduced by sanding. The sanding reveals underlying colors and details, in effect exposing the history of the work’s production. Recalling the subjective reality of a time or place and expressing it without value judgement continues to be an appealing challenge. The desire to create work that could convey something akin to the actual experience is always there.” - James Seffens
Abstracted Realities
Victor Vasarely, Pedro Friedeberg, James Rosenquist, A.R.Penck, & Mike Bidlo
On view until March 20th.
T. Klacsmann
T. Klacsmann captures the consciousness of animals as they exist independent from, but intermingled with humanity. Loving beauty more than efficiency, they first meticulously carves each thing that appears in their work in linoleum or wood. Some of the resulting relief prints are further developed with paint, ink, and colored pencil and become parts of mixed media collages or installations; other prints are scanned and turned into polyester lithography plates or used in digital collages.
Klacsmann is a council member for the Society of American Graphic Artists (SAGA). Their work has been shown nationally and internationally and is included in the permanent collections of the Albany Institute of History and Art and The Smith College Museum of Art, the flat files and archives of Zea Mays Printmaking, and the Miriam Shapiro Archives at Rutgers University. In 2014, he received the Medal of Honor in Mixed Media and Walinska Memorial Award from the National Association of Women Artists (NAWA).
He completed certificates in Green Printmaking at Zea Mays Printmaking, and Graphics and Animation at University of North Georgia; an MFA at Northern Vermont University; a Masters of Art History at the University of Glasgow, and a BA at Yale University.